MARYA KAZOUN

HABITAT: WHERE HE CAME FROM

2009
Installation/Performance
Tissue, pen, pencil, glass, plastic, acrylic, paper, beads, glue, nylon thread
200 x 170 x 620 cm

GLASSTRESS 2009, GLASSTRESS BOCA RATON

Marya Kazoun's Habitat: Where He Came From
Marya Kazoun's Habitat: Where He Came From

SELF-PORTRAIT

2003 – present
Insallation / Performance
Glass, fabric, plastic bags, thread
65 x 200 x 300 cm / Variable dimensions

GLASSTRESS BEIRUT

Marya Kazoun's Self-Portrait
Marya Kazoun's Self-Portrait

FROSTY GROUNDS: THE BEGINNING

2009
120 x 83 x 15 cm

GLASSTRESS STOCKHOLM, GLASSTRESS NEW YORK

Marya Kazoun's Frosty Grounds The Beginning
Marya Kazoun's Frosty Grounds The Beginning

THE MOUNTAINS

2009
120 x 83 x 25 cm

GLASSTRESS STOCKHOLM, GLASSTRESS NEW YORK

Marya Kazoun's The Mountains
Marya Kazoun's The Mountains

THEY WERE THERE

2011
Installation/Performance
Glass, mirror, wood, glue, acrylics
400 x 250 x 100 cm
Performance: Andrea Busetto, Christian Minotto

GLASSTRESS 2011

Marya Kazoun's They Were There
Marya Kazoun's They Were There

THE IGNORANT SKIN

2005
Installation/Performance
Thread, fabric, glass pearls, wool, stuffing, glue on canvas, human beings
1125 x 280 x 200 cm
Performance: Andrea Busetto, Christian Minotto

GLASSTRESS 2011

Marya Kazoun's The Ignorant Skin

BIOGRAPHY

Marya Kazoun was born in 1976 in Beirut and lives and works in New York and Venice. Her art is a personal perception of reality and, as a result, she creates worlds that are parallel to the one we live in.

Read more

She grew up in Beirut during the war years and her family fled the war the first time in 1984 by moving to Switzerland; she then lived in Montreal with her family where she became a Canadian citizen. She later returned to Beirut and, between 1999 and 2000, completed degrees in Interior Architecture and Fine Arts at the Lebanese American University. In 2001 she moved to New York and, in 2004, completed an MFA in Fine Arts at the School of Visual Arts. Her practice is mainly composed of installations and performances: she uses 3D low reliefs, paintings, drawings, and photos as support for her installation pieces. She explores the micro versus the macro, the extremely beautiful versus the extremely repulsive. Her artistic approach is strongly feminine, emphasized by her dexterity with materials and mastery of ancestral techniques like sewing and weaving, and is an attempt to domesticate the dark. By using very common materials, like tissue and fabric, she transforms them and gives them another life. She participated in the 51st Venice Biennale (2005) with the solo show Personal Living Space. She has exhibited at Xanadu Gallery (2004), New York; the Galleri Tapper-Popermajer (2004), Malmö; the Galleria Michela Rizzo (2004), Venice; in Glasstress (2009, 2011), Venice; at the Beirut Exhibition Centre (2012); in the show Glassfever (2016), Dordrecht; at the Shirley Fiterman Art Centre (2016), New York; Diana Lowenstein Fine Arts (2016), Miami; and the Galerie Janine Rubeiz (2016), Beirut.

Fondazione Berengo

San Marco 2847
30124 Venezia - Italy

+39 041.739453
comunicazione@berengo.com

 

Join our Newsletter